By Tzachi Zamir
The ebook engages questions of theatrical proposal, the actor’s “energy,” the variation among appearing and pretending, the detailed position of repetition as a part of stay appearing, the viewers and its appeal to appearing, and the original value of the actor’s voice. It examines the embodied nature of the actor’s animation of a fiction, the breakdown of the excellence among what one acts and who one is, and the transition from what one plays into who one is, developing an interdisciplinary meditation at the courting among existence and acting.
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Acts: Theater, Philosophy, and the Performing Self (Theater: Theory/Text/Performance) by Tzachi Zamir